Jim Maunder has chosen to work primarily in sculpture using the medium of metal. He uses traditional methods of metalworking, and in the past has worked in wrought iron. Maunder now works in welded steel, in which the metal is heated in a propane forge to increase its malleability, and then shaped on the anvil. He also works in bronze using lost wax techniques.

The process of Maunder's work connects him to the past; however, the themes and subjects of his pieces are more concerned with the present and the future. “A recurring theme in my work is my concern that our market driven society views people and nature as little more than resources to fuel commerce and trade.” The codfish has been a repeated image. It addresses the response of Newfoundlanders to the demise of the codfish industry as well as more global environmental and social concerns. He is also moving towards the use of more abstract imagery. By using a visually striking image, Maunder is able to provoke thought about each piece. This often conveys a cautionary message or concern for the future. His work entitled “Potato Farm” (2002), warns of the possible problems of genetic engineering by using the image of potato forms suspended above metal spears.

Maunder is a St. John's native with formal training in the fine arts. A graduate from the Ontario College of Art, Maunder participated in the Interdisciplinary Studies program, working in the areas of drawing, painting, sculpture and film.

Maunder works as an art instructor and continues to exhibit his work frequently. A sculpture entitled “Making Fish” is on permanent public display in front of the St. John's Convention Centre, St. John's.

Image shown: Potato Farm welded steel, wood, 59” x 81” x 20”